Author: Julia

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Marvel’s Key Avengers: Part Seven

Back on Earth…

Following Avengers: Age of Ultron  (2015), new solo heroes were introduced to the Marvel Cinematic Universe that have had a drastic effect on the universe at large. 

Ant-Man: Ant-Man (2015), which premiered only a couple months after Ultron, introduces us to Scott Lang/Ant-Man. Scott is in jail following a Robin Hood-esque stunt in which he electronically stole huge amounts of money and returned it to the people it was “legally” taken from. Upon his release he struggles to find work to pay child support and see his daughter. Hank Pym/the original Ant-Man manages to trick Scott into stealing the Ant-Man suit, which enables the wearer to become smaller/bigger. Hank had previously worked with SHIELD before founding Pym Technologies and now finds himself being ousted. Together with Hank’s daughter, Hope van Dyne (later, the Wasp), the three of them work together to steal Hank’s technology and stop Darren Cross/Yellowjacket.

Later, Scott fights for Captain America’s team in Captain America: Civil War (2016), playing an integral role in Steve Rogers/Captain America and Bucky Barnes/Winter Soldier’s escape. To avoid jail time, he takes a deal that has him under house arrest for two years.

While Scott does not make an appearance in Avengers: Infinity War (2018), the events of his second solo outing appear to be incredibly relevant to the forthcoming Avengers: Endgame. In Ant-Man and the Wasp (2018), Scott is nearing the end of his sentence while Hank and Hope are working to build a tunnel to the Quantum Realm to rescue Hank’s wife and Hope’s mother, Janet van Dyne, the original Wasp. Their experimentation leads to the realization that Scott and Janet became quantumly entangled with Janet during the climax of Ant-Man. Hank and Hope then kidnap Scott, leaving a decoy behind for the FBI as Scott nears his release day.

Hank, Hope, and Scott find opposition to their plans in the forms of Sonny Burch, a black market dealer hoping to profit off Hank’s inventions, and Ava Starr/Ghost, who seeks the Quantum Tunnel to end her own suffering caused in part by Hank Pym. In the end, Sonny and his gang are arrested, Janet is recovered and helps heal Ava, and Scott is released.

What appears to be the key element for Endgame is the Quantum Realm itself, which has the potential to enable time travel. From what we’ve seen, both from Ant-Man and the Wasp and from the Endgame trailers is that Scott loses everyone important to him in Thanos’s snap, but will find his way to the Avengers to help fix what happened in Infinity War.


Doctor Strange: Although referenced by name in Captain America: The Winter Soldier (2014), Doctor Stephen Strange doesn’t make an appearance in the Marvel Cinematic Universe until his solo film in 2016. In the film, after losing the use of his hands, surgeon Stephen Strange turns to mysticism to get his hands back. Instead, he finds himself in an inter-dimensional battle for Earth, in which he uses the Time Stone to defeat his enemy. He becomes a Master of the Mystic Arts and the keeper of the New York Sanctum, which helps protect the world from forces outside their dimension.

Stephen makes his next appearance in Thor: Ragnarok (2017) in which he kidnaps Loki when he realizes he’s on Earth. As Earth’s primary protector from things outside the Avengers purview, he explains to Thor that he really just wants Loki off-planet as soon as possible before he can cause any new trouble. He does help the Odinson brothers find their father, however, whom he had helped previously.

Doctor Strange plays a huge role in the events of Infinity War. As the protector of the Time Stone, he is a direct adversary for Thanos. After arriving on Titan with Tony Stark/Iron Man and Peter Parker/Spider-Man, he looks into possible futures to realize that there’s only one in which they win. Before he disintegrates he tells Tony, “We’re in the endgame now,” implying that he knew what would come next and how it would be reversed.


Spider-Man: Following his introduction in Civil War, Peter Parker/Spider-Man becomes something of a son to Tony Star/Iron Man. In Spider-Man: Homecoming (2017), Peter establishes himself as a “friendly neighborhood Spider-Man”, realizing the he is not ready for the kind of responsibility that comes with being an Avenger (and an adult).

In Infinity War, Peter travels to Titan with Tony and Stephen. As in the comics, he (and the others) almost succeed in removing the Infinity Gauntlet from Thanos. His disintegration is heartbreaking for both Tony and the audience.


Black Panther: T’Challa/Black Panther’s first movie came out only months before Infinity War, but actually only takes place a few weeks after Civil War. In Black Panther (2018), T’Challa becomes king of Wakanda and battles his long-lost cousin, N’Jadaka/Erik “Killmonger” Stevens for the title. His actions during the film unite all of Wakanda’s tribes and opens up Wakanda and her technology to the outside world.

T’Challa and the Wakandan people play a large role in protecting the Earth from Thanos. While T’Challa’s endlessly brilliant sister, Shuri, works to remove the Mind Stone from Vision so it can be destroyed, the rest of Wakanda battles Thanos’s forces. As the most technologically advanced country on the planet, they are the best equipped for such a task, however, many lose their lives during Thanos’s snap, including T’Challa himself. 

Okoye, the leader of the Dora Milaje, Wakanda’s elite female warriors is featured in one of the Endgame posters, which establish who did and didn’t survive the snap. While she hasn’t been an obvious part of the trailers, it’s fair to assume that she will play a big part. There is also talk that she may play a role in the potential/rumored A-Force movie, which will have an all-female Avengers team. 


Nick Fury: Although he was the director of SHIELD for years, in 1995, Nick Fury was still someone else’s subordinate and new to the amount of weird in the world. It’s also when he meets Carol Danvers/Captain Marvel. It’s after meeting her that he gets the idea for the Avengers Initiative and he is the one to initially bring them together. In the present, Fury hasn’t been seen since he came to the rescue in Ultron, providing lifeboats for the Sokovians. At the end of Infinity War, however, he manages to use his modified pager (a gift from Carol at the end of Captain Marvel (2019)), to send a message before disintegrating. We don’t know what Carol has been up to since we saw her leave Earth, but it’s clear that she will play a role in Endgame, thanks to Fury’s quick thinking.

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Marvel’s Key Avengers: Part Six

The Guardians of the Galaxy

In 2014, The Guardians of the Galaxy looked like a risky choice. Not only was it the Marvel Cinematic Universe’s first foray into a story with no connections to events happening on Earth, but the team and it’s stars were not big names.

Chris Pratt, who plays Peter Quill/Star Lord was known mainly for a supporting role on NBC’s Parks and Recreation (2009-2015), while Dave Bautista (Drax the Destroyer) was known primarily as a professional wrestler. Zoe Saldana (Gamora) had been gaining increasing fame as a female action star. Add in that perhaps the biggest stars at the time, Vin Diesel and Bradley Cooper would be voicing a talking tree and raccoon respectively was a jarring concept. Oh, and additional supporting roles would be filled by Lee Pace, Karen Gillan, John C. Riley, Glenn Close, and Benicio Del Toro.

What would this movie be? With an August release date it was clear that Marvel Studios had little faith in the property, perhaps just hoping to break even.

Then the first trailers aired.

Set against Blue Swede’s “Hooked on a Feeling”, audiences were given a taste of a comedic action movie unlike any other superhero film at that time. To great surprise, Guardians broke records for August, and, in many ways, Guardians took the MCU to the next level, beginning a trend of increasingly ambitious films. Personally, I knew within the first five minutes (I timed it) that this would be one of my favorite movies.

While I could go into the impact the Guardians have had on the MCU, today I want to recap just who they are and what role they play. When we first meet Peter Quill, it is 1988 and he has just watched his mother die from cancer before being abducted by a group of alien bounty hunter/pirate/adventurers called Ravagers. Twenty-six years later, after making a life amongst the Ravagers, he is sent to acquire a mysterious orb. After fighting for it, he travels to a planet called Xandar where he hopes to sell the item for himself. Here is where he meets Gamora, Groot, and Rocket.

Gamora is the adopted daughter of Thanos, an intergalactic warlord (who the audience may remember as being partially responsible for the events of Marvel’s The Avengers in 2012). Like he did with Loki in The Avengers, Thanos has allied himself with Ronan the Accuser, a soldier who seeks to undo the peace that has recently come to his people. Gamora and her adopted sister, Nebula, are sent on loan to help him acquire the stone in return for Thanos’s help. Gamora wants nothing to do with either of them and wants to use the orb to get out from under her father’s thumb.

Rocket Raccoon and Groot (a sentient tree) are codependent bounty hunters, unaligned with any other group. Learning of the bounty on Peter, they don’t know anything about the orb and merely seek a quick payday. The resulting brawl between our four unlikely heroes ends with them arrested by the Nova Corps, the police force on Xandar.

In prison, they meet Drax the Destroyer, whose family was slaughtered by Thanos. Together, the five of them escape and Gamora leads them to the Collector (Benicio Del Toro), who informs them that what they have is an Infinity Stone, specifically, the Power Stone. After Ronan gets his hands on it, Peter and the others persuade the Ravagers to help protect Xandar, contacting the Nova Corps to warn them. In the end, these misfits manage to stop Ronan (in a dance battle), but it costs Groot’s life. The newly dubbed Guardians of the Galaxy (and a baby Groot growing in a pot) have their criminal records expunged. The Power Stone is safely tucked away on Xandar and the team of anti-heroes decide to see where the universe takes them.

Months later, in Guardians of the Galaxy Vol. 2 (2017), the Guardians are fighting an inter-dimensional monster in exchange for Gamora’s volatile adopted sister, Nebula (Doctor Who‘s Karen Gillan). In an other excellent opening musical number, we see the Guardians are still doing what they’ve become known for, fighting the good fight (but often with a selfish ulterior motive).

In general, Guardians 2 is a much more emotionally complex film with a lot of important elements. However, the key details are: Peter meets his father, the Celestial and living planet, Ego. Ego wants to take over the universe and is destroyed by the Guardians. Being half Celestial, however, is part of how Peter survived his encounter with the Power Stone. Ego’s servant, an female empathic humanoid named Mantis, joins the Guardians, while Gamora and Nebula make amends, and Gamora and Peter begin a romantic relationship.

Avengers: Infinity War (2018) takes place four years later. The Guardians play a key role as they have the most direct connection with Thanos. While Earth’s forces are gathering, The Guardians of the Galaxy (and Thor and Nebula) serve as the central group based outside of Earth’s solar system. After they rescue Thor from his destroyed refugee vessel, the group splits up, with Groot and Rocket going with Thor to get a new Thanos-killing wepaon, while Peter, Gamora, Drax, and Mantis go in search of the Reality Stone, which leads to Gamora’s capture.

In going after Gamora, Peter, Drax, and Mantis meet up with Tony Stark/Iron Man, Peter Parker/Spider-Man, and Doctor Stephen Strange and nearly succeed in getting the Infinity Gauntlet off of Thanos. This fails, however, when Peter learns that Thanos sacrificed his daughter, Gamora, the only thing he loves, to obtain the Soul Stone. In attempting to kill him, Peter disrupts Mantis’s mental control.

Once Thor acquires Stormbreaker, he, Rocket, and Groot travel to Earth, arriving just in time to help the fight in Wakanda. Groot and Rocket fit right in as they help destroy the attacking monsters. As we know, however, that isn’t enough. While Groot fades away on Earth, Peter, Drax, and Mantis do on Titan, along with Stephen Strange and Peter Parker.

In the end, all that remains of the Guardians are Rocket and Nebula, two of the characters least likely to be selfless or noble, but both seem horribly shaken by the end of Infinity War. Based on trailers for Avengers: Endgame, both characters will be joining the other Avengers on Earth. Like the rest of the characters, we know very little about what role they will play. None of the Guardians appeared in Captain Marvel‘s (2019) post credits scene, but trailers suggest that while Rocket is on Earth, Nebula is helping Tony Stark come home. With Guardians of the Galaxy Vol. 3 expected to release in 2021, it’s fair to say that at least a few of them will be resurrected by Endgame‘s end.

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Marvel’s Key Avengers: Part Five

Thor

Thor’s impact has been much more limited in the Marvel Cinematic Universe in part because of the less-than-stellar outings of Thor (2011) and Thor: The Dark World (2013). He becomes relegated to something more secondary until Thor: Ragnarok (2017). However, Thor is a bridge into the universe outside of Earth. As royalty, his actions have a huge impact on the MCU but he’s never really utilized well until Ragnarok where director Taika Waititi takes advantage of Chris Hemsworth’s acting ability and comedic timing, delving deeper into his character, and setting him up for Avengers: Infinity War (2018).

When Thor begins his journey, he is an arrogant prince– not a huge stretch for Thor‘s director, Kenneth Branagh, who is known for his Shakespearean adaptations. While having such a prestigious director on board gave legitimacy and elevated Marvel Studios, I feel that it was ultimately detrimental. Thor was played as a Shakespearean character in a franchise where humor has been a staple since Iron Man (2008). By the end of the film, Thor has learned humility and found love. He has learned enough to sacrifice his own happiness to save multiple planets, destroying the Bifrost Bridge, which enables him to travel to other planets.

Thor did well enough, but compared to more recent Marvel movies could be considered something of a failure. Thor: The Dark World brings in a new director on a story that is actually interesting and complex, but as a whole the film is a hot mess. With sloppy directing by Alan Taylor (Terminator: Genisys) and determination to portray Thor in that same high fantasy/Shakespearean style, the movie is scarcely more integral than The Incredible Hulk (2008), which is only vaguely recognized as having occurred by the characters. The reality is that for most of Thor’s appearances, he is looked at as eye candy, while Chris Hemsworth’s talents are overlooked.

The key takeaways from Dark World are this:
1. The Bifrost has been restored and Thor can now travel to and from Earth

2. Loki is masquerading as Odin, whose fate is unknown

3. Following the death of his mother, Thor is living on Earth with Dr. Jane Foster 

4.  The Aether/Reality Stone has been found and now resides with the Collector (depicted in a post-credits scene)


While events from the film are vaguely referenced as global events, for the most part the film is easy enough to sweep under the rug. There’s a lot of handwaving away any questions or contradictions.
Waititi is the first director to attempt to apply the MCU formula to Thor, recognizing the comedic talent of Chris Hemsworth, among others. He gives his actors free range to try things, with Hemsworth, Mark Ruffalo, and Tom Hiddleston more than a little familiar with the characters they’ve been playing for years. The casting of Jeff Goldblum is further proof that humor was Waititi’s intention, while even more serious actors Anthony Hopkins and Cate Blanchett get the chance to let their hair down.

Ragnarok brings together a number of key plot points. He establishes on screen what the audience already knows, that the Infinity War is coming, and brings Doctor Strange into the fold, whose exploits in magic are a new element in the MCU. We learn that Thor and Jane have broken up, watch Odin die and Thor take his place as king, and see Thor and Loki make amends. Mjolnir is destroyed, allowing Thor to better understand his own power. Asgard is destroyed, leaving its people as wandering refugees heading towards Earth, and leading directly into the opening of Infinity War. We’re introduced to Valkyrie and given more insight into Asgard’s history and Thor’s family. And, we get the return of Bruce Banner/Hulk, who has been the Hulk since disappearing at the end of Avengers: Age of Ultron (2015) and is now struggling with this fact.

The point is, that in addition to being hugely entertaining, Ragnarok synthesizes a lot of stray elements and establishes a new baseline for Infinity War. In Infinity War, directors Anthony and Joe Russo draw on the characterization established in Ragnarok, which enables him to better mesh with the comedic Guardians of the Galaxy. Still, Infinity War is a more serious film, so while we all kinda wanted Led Zeppelin’s “Immigrant Song” to start up when Thor arrived on Earth, that was not the case, though Thor does prove himself to be a huge asset in the fight.

Because Thor does not have the same impact or attention as Tony Stark/Iron Man or Steve Rogers/Captain America, the decision to blind Thor at the end of Ragnarok is quickly undone in Infinity War, but we continue to see him grow as king representing his fallen people. He gains the mystical ax, Stormbreaker, which is able to summon the Bifrost, and even aids in its creation. Later, Thor not only makes a dent in Thanos’s forces, but also nearly succeeds in killing him, teaching us all the importance of going for the head.

Thor was one of the characters to survive Infinity War, and from what we’ve seen in trailers he is set to play a large role in Avengers: Endgame; already he’s expressed how much he likes Carol Danvers/Captain Marvel. We’ve also recently learned that Valkyrie has survived the snap and is expected to play a role in the film. Happily, we also get to see more of Thor teaming up with his friend, the ‘rabbit’, Rocket.

Beyond Endgame, Thor’s fate is currently unknown. While there have been rumors that Hemsworth and Waititi have discussed what else they’d like to do with the character, we probably won’t know anything until for months yet. There is a rumor of an all-female A-Force movie featuring Valkyrie on the way, but we have yet to hear a peep about Thor’s future or how else Waititi and Hemsworth can surprise us. Thus far the only franchise to go beyond a trilogy is The Avengers, so it seems unlikely, especially with more characters being introduced and given opportunities for their own solo films.

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Marvel’s Key Avengers: Part Four

Captain America

Captain America is perhaps my favorite Avenger in the Marvel Cinematic Universe, so I have a lot of things I’d like to say regarding the role he plays and his significance. With this bias in mind, I admit that while much of the MCU is focused on the journey of Tony Stark/Iron Man, I believe that it is the actions and consequences of Captain America and his franchise that have the greater impact and importance overall.

As a character Steve Rogers/Captain America is nothing if not earnest; he’s determined to do what he feels is right and what will have the greatest benefit. In Captain America: The First Avenger (2010), Steve Rogers is a small, sickly man, but determined to do his part for the war effort. He explains that there are men laying down their lives for their country and he doesn’t have any right to do anything different. It’s this determination to help that leads him to Dr. Abraham Erskine and Project Rebirth, which turns him into a super-soldier. As Captain America, he and his team is responsible for taking out the rouge Nazi science division, Hydra.

In Marvel’s The Avengers (2012), Steve is coping with having missed 70 years. This is a prime example of how he is something of a tragic character. Steve has lost time, friends and loved ones, and his home in a way that none of the other Avengers can really relate to. He still proves himself to be the capable military leader, however, when he brings the team together against the Chitauri.

In Captain America: The Winter Soldier (2014), Steve exposes Hydra’s decades long infiltration into not only SHIELD, but other facets of government and politics worldwide. This is a huge blow for Steve, who thought he had sacrificed his life to bring an end to Hydra 70 years ago. He also learns the horrible truth about childhood friend and comrade, Bucky Barnes. Bucky, who was believed to have died while capturing Arnim Zola, was actually found and turned into a weapon. He’s spent the last 70 years being brainwashed, tortured, and experimented on.

That Bucky is alive is conflicting news for Steve. On the one hand, his best friend, the person who was closest to him (and a last remnant of home) is alive. On the other hand, it is heartbreaking that Bucky has spent the last seven decades under enemy control. There is guilt for not having searched for Bucky after he fell from the train in First Avenger. Steve is already someone who carries the weight of the world on his shoulders, so he feels strongly that it’s his fault Bucky suffered (and continues to do so as he comes to terms with his actions as the Winter Solider).

(While I will forever maintain that there is something deeper than friendship between Steve and Bucky in the MCU, in the original comics, Bucky is Steve’s young sidekick. Comic Steve still feels guilt and grief over what happened to Bucky, but it’s more in the sense that he feels responsible for his young ward than the pain of losing the person closest to him. )

In Avengers: Age of Ultron (2015), Steve mentions his search for Bucky, but his main role and focus is as the leader of the Avengers. In Captain America: Civil War (2016), however, Steve’s actions are at the forefront and have massive consequences (not unlike Tony’s choices in Ultron). What is first a struggle between whether or not to sign the Sokovia Accords, essentially giving up his autonomy (something he had even during World War II), becomes a tug of war between his growing friendship and trust with Tony, and his longtime bond (and guilt) with Bucky. Steve not only chooses not to sign the Accords, but also takes Bucky’s side in the conflict, turning his back on Tony, the Avengers, and his responsibilities as their leader. Steve and Bucky find refuge in Wakanda, but as we learn in Avengers: Infinity War (2018), Steve doesn’t stay while Bucky recovers. Instead, he and his team (including Natasha Romanoff/Black Widow, Sam Wilson/Falcon, and Wanda Maximoff/Scarlet Witch) become global fugitives (while Scott Lang/Ant-Man and Clint Barton/Hawkeye take a deal).

We don’t see Steve Rogers or his team again until Infinity War, where we are given a vague sense that they’ve been operating on their own, though what they’ve been doing is unclear. He is still welcomed back to Wakanda with open arms, and becomes sought out by Tony in response to Thanos’s impending attack. While Tony has been living his life as part of the Avengers and Stark Industries, developing or improving his relationships with Virginia “Pepper” Potts and Peter Parker/Spider-Man, Steve doesn’t seem to have any ties to life beyond being fugitive Captain America/Nomad.

With Infinity War being so crowded, we don’t get much from Steve beyond his role as a leader and someone still determined to do what is right. He briefly reunites with Bucky (who is significantly the first to be affected by Thanos’s snap), and when he reunited with the other Avengers and T’Challa/Black Panther he is looked to again for his talents as a tactician and leader. It’s exciting when he first steps out of the shadows in London to help Wanda and Vision and his reaction following the snap is something I think everyone in the audience could relate to, but we don’t get much of his emotional journey or what is going on with him, unlike some of the other characters.

The limited trailers for Avengers: Endgame suggest that Steve Rogers will play a much larger role, possibly to balance the focus placed on Tony Stark in Infinity War. One thing that has long been speculated about is the death of Steve Rogers, which occurs in the comics. Chris Evans’s contract was extended for Endgame, but he’s made it clear that this is really it for him, so I’m fairly certain that Steve Rogers will not make it out of “The Infinity Saga” alive. As I’ve said before, there isn’t much tying Steve to this world. Other Avengers have connections to the world outside of the fight (and the inevitable forthcoming resurrection), which gives them the possibility of a peaceful happy ending. And, while I continue to argue that there is something deeper between Steve and Bucky, the reality is that that has not been actively explored (nor is it likely to). With nothing official to facilitate a happy ending, and Evans’s insistence that this is Cap’s last outing, it will be hugely surprising if Steve survives. (Though I did recently read a theory that has Captain America and Black Widow leaving Earth to fight evil in space.)

Heading into Endgame in a few short weeks, I am eager to seeing how little the trailers have given away. This film will mark the end of an era, “The Infinity Saga” and I’m looking forward to Steve Rogers/Captain America making a truly heroic sacrifice and saving the day.

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Marvel’s Key Avengers: Part Three

Black Widow

In Iron Man 2 (2010), the Marvel Cinematic Universe introduced their first female superhero: Natasha Romanoff, also known as the Black Widow. Since then, she has joined the Avengers as well as played a supporting role with Captain America. However, despite appearing in multiple movies since early in Phase One, she has yet to have her own solo film, though it has long been discussed. As we head into Avengers: Endgame, we know that in addition to surviving ‘the snap’, she will finally be getting her own solo film next year and there is currently talk of an all-female Avengers (A-Force) movie. As a character both within the comics and the MCU, Natasha has evolved since her first appearances at the Russian Femme Fatale to something more complex.

The Black Widow is meant to be one of, if not the best, spies in the business. Overtime, however the MCU’s Black Widow has become softer, which is emphasized by her romance with Bruce Banner/Hulk. In Captain America: The Winter Soldier, Nick Fury comments that Natasha is comfortable with just about anything as long as it gets the job done, but she has since proven that this may no longer be the case.

In Iron Man 2, Natasha is undercover as Natalie Rushman, Pepper Potts’s new assistant. She is later revealed to be an undercover agent for SHIELD, whose mission involves keeping an eye on Tony Stark/Iron Man. She is unapologetic for her actions and ruthless as a fighter; her body is a weapon both for violence and temptation. Beyond her loyalty to Fury, we don’t get much more than that.

Marvel’s The Avengers (2012) serves as her second outing, after which she becomes a feature of the Captain America franchise, although, interestingly, never her love interest, something not hinted in the comics, but in other media. Avengers gives greater emotional depth to her character, establishing a bond between Natasha and Clint Barton/Hawkeye (a romantic partner in the comics). She further demonstrates her effectiveness and capability, able to keep up or even outsmart the men who underestimate her. She demonstrates this particularly in her interrogation techniques, which specifically play on the male assumption that females are overemotional and weak.

Her next appearance is in Captain America: The Winter Soldier (2014), where she becomes Steve Rogers/Captain America’s close ally. In something I believe heavily influenced by the longtime friendship between Chris Evans and Scarlett Johansson, the relationship between Steve and Natasha is close friends, almost like brother and sister. Throughout the film we see her risking herself to help and protect Steve, and even demonstrating her frustration when she lets him down, such as on the Lemurian Star when he learns she was secretly acting under Fury’s orders. The point is, Natasha makes herself vulnerable for the audience and her friendship with Steve.

This vulnerability is further explored in Avengers: Age of Ultron (2015). (Part of me wonders if there would have been a Black Widow/Captain America romance had the pair had more chemistry in Winter Soldier, but instead she pursues a relationship with Bruce Banner/Hulk, whose previous love interest, Betty Ross, has not been referenced since her appearance in The Incredible Hulk (2008).) Ultron also contains one of her most controversial scenes where she tearfully admits she cannot have children. It’s not so much the content of the scene that is controversial as the fact that it exists at all.

Despite the vulnerability she began to show in Avengers, I found this out of character for MCU’s Natasha. I feel that it was included because Joss Whedon felt that this would be the easiest way to demonstrate her vulnerability. This lazy move is one the demonstrates a lack of understanding and implies that all women are defined by the ability to bear children and that all women want children. The result is a beautiful moment of true connection between Natasha and Bruce, but I still find it to be lazy and insulting. Knowing their complex personas, a lot more interesting things could have been done (ie. guilt over killing/hurting/destroying or duality of character). What Whedon does do, is something that is called back to in Thor: Ragnarok. She attempts to coax the Hulk into making the Quinjet detectable so that he can land following the attack on Sokovia.

She has just betrayed Bruce by calling out the Hulk when he tries to get her to run away with him, and this vulnerable moment is used to show how that betrayal affects them both. Later, it is used to remind Hulk/Bruce of the connections he has on Earth. It’s a softness and vulnerability that is very much in line with her characterization in prior films.

Heading into Captain America: Civil War (2016), Natasha is focusing on her job as an Avenger and training their newer members. She is still a powerful, especially as a senior member, and still dangerous, but her humanity is clearer. She shows her vulnerability in how she is torn between Tony and Steve, the Sokovia Accords and the Winter Soldier. Interestingly, after he has been activated by Zemo, she says to the Winter Soldier, “the least you could do is recognize me.” While this could refer to the events of Winter Soldier, the comics depict a romantic relationship between the two (especially with their shared Soviet background), something that may come into play in the Black Widow solo film next year.

Avengers: Infinity War (2018) depicts Natasha Romanoff as Steve Rogers’s second in command. As a fugitive and after years away from Bruce, she has become colder and that vulnerability isn’t really touched upon. From what we’ve seen in Avengers: Endgame trailers, this could continue or we could once again see her stretch her humanity. In the midcredits scene of Captain Marvel (2019), we see her walls down some as she is clearly shaken by the events of Infinity War and the loss of Nick Fury. This could indicated that these aspects of her personality have synthesized into someone who draws on their emotions to add to their strength (a fairly common trope).

Her own solo movie, which is expected to begin filming sometime this year for a 2020 release has its own speculation surrounding it, particularly after Marvel’s first female solo film was released March 8th. I heard a rumor not too long ago that the Black Widow movie may be rated R. Since acquiring Marvel, Disney’s influence has been apparent in the MCU. This is concerning and it’s difficult to imagine Disney allowing an R-rated film, something that has proved effective for Fox’s Deadpool (2016, 2018) and Logan (2017).

On March 20th, Disney officially acquired a number of Fox assets, including 21st Century Fox, which is responsible for the Fantastic Four and X-Men properties. This is huge as it means that Marvel Studios now has access to its full arsenal of characters and storylines (as long as the deal with Sony regarding Spider-Man holds up). The merger has been concerning for fans, who fear how Disney will affect future Fox films, but it has since been suggested that Fox will remain a separate entity, something I have felt to be the best course of action since first hearing of the acquisition.

Disney has limited itself in its branding, but having a separate brand geared towards more mature audiences is a fantastic way to tell a wider range of stories and also snare more moviegoers (profits). I think it is under this banner that the Black Widow movie should be released. The MCU has already established that the Black Widow backstory is a dark one, with Natasha having been raised to be an assassin and sterilized as a young adult to keep her focused, but some of the comics go darker. An R rating is the best way to tell her story.

It’s would also been quite the boon for female heroes. In Captain Marvel (2019), we finally had a female superhero who was powerful all on her own and not outwardly bogged down by romance, as is typical. For female superheroes to be taken more seriously, I believe an R-rated movie is the next step. Making Deadpool R-rated changed how it– and other superhero films– was perceived and I believe the same would be true for Black Widow.

Now, what the movie will contain is a mystery, especially as we await Endgame. I’d personally like to see her past come back to haunt her, intermingling flashbacks with the present day, depicting how her old life effects her new one. Although on principle I’d prefer not to see a romance, I think that Bucky Barnes/Winter Soldier could make a good second in command/sidekick, not unlike the role played by Sam Wilson/Falcon in Winter Soldier.

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