Marvel’s Key Avengers: Part Seven

Back on Earth…

Following Avengers: Age of Ultron  (2015), new solo heroes were introduced to the Marvel Cinematic Universe that have had a drastic effect on the universe at large. 

Ant-Man: Ant-Man (2015), which premiered only a couple months after Ultron, introduces us to Scott Lang/Ant-Man. Scott is in jail following a Robin Hood-esque stunt in which he electronically stole huge amounts of money and returned it to the people it was “legally” taken from. Upon his release he struggles to find work to pay child support and see his daughter. Hank Pym/the original Ant-Man manages to trick Scott into stealing the Ant-Man suit, which enables the wearer to become smaller/bigger. Hank had previously worked with SHIELD before founding Pym Technologies and now finds himself being ousted. Together with Hank’s daughter, Hope van Dyne (later, the Wasp), the three of them work together to steal Hank’s technology and stop Darren Cross/Yellowjacket.

Later, Scott fights for Captain America’s team in Captain America: Civil War (2016), playing an integral role in Steve Rogers/Captain America and Bucky Barnes/Winter Soldier’s escape. To avoid jail time, he takes a deal that has him under house arrest for two years.

While Scott does not make an appearance in Avengers: Infinity War (2018), the events of his second solo outing appear to be incredibly relevant to the forthcoming Avengers: Endgame. In Ant-Man and the Wasp (2018), Scott is nearing the end of his sentence while Hank and Hope are working to build a tunnel to the Quantum Realm to rescue Hank’s wife and Hope’s mother, Janet van Dyne, the original Wasp. Their experimentation leads to the realization that Scott and Janet became quantumly entangled with Janet during the climax of Ant-Man. Hank and Hope then kidnap Scott, leaving a decoy behind for the FBI as Scott nears his release day.

Hank, Hope, and Scott find opposition to their plans in the forms of Sonny Burch, a black market dealer hoping to profit off Hank’s inventions, and Ava Starr/Ghost, who seeks the Quantum Tunnel to end her own suffering caused in part by Hank Pym. In the end, Sonny and his gang are arrested, Janet is recovered and helps heal Ava, and Scott is released.

What appears to be the key element for Endgame is the Quantum Realm itself, which has the potential to enable time travel. From what we’ve seen, both from Ant-Man and the Wasp and from the Endgame trailers is that Scott loses everyone important to him in Thanos’s snap, but will find his way to the Avengers to help fix what happened in Infinity War.


Doctor Strange: Although referenced by name in Captain America: The Winter Soldier (2014), Doctor Stephen Strange doesn’t make an appearance in the Marvel Cinematic Universe until his solo film in 2016. In the film, after losing the use of his hands, surgeon Stephen Strange turns to mysticism to get his hands back. Instead, he finds himself in an inter-dimensional battle for Earth, in which he uses the Time Stone to defeat his enemy. He becomes a Master of the Mystic Arts and the keeper of the New York Sanctum, which helps protect the world from forces outside their dimension.

Stephen makes his next appearance in Thor: Ragnarok (2017) in which he kidnaps Loki when he realizes he’s on Earth. As Earth’s primary protector from things outside the Avengers purview, he explains to Thor that he really just wants Loki off-planet as soon as possible before he can cause any new trouble. He does help the Odinson brothers find their father, however, whom he had helped previously.

Doctor Strange plays a huge role in the events of Infinity War. As the protector of the Time Stone, he is a direct adversary for Thanos. After arriving on Titan with Tony Stark/Iron Man and Peter Parker/Spider-Man, he looks into possible futures to realize that there’s only one in which they win. Before he disintegrates he tells Tony, “We’re in the endgame now,” implying that he knew what would come next and how it would be reversed.


Spider-Man: Following his introduction in Civil War, Peter Parker/Spider-Man becomes something of a son to Tony Star/Iron Man. In Spider-Man: Homecoming (2017), Peter establishes himself as a “friendly neighborhood Spider-Man”, realizing the he is not ready for the kind of responsibility that comes with being an Avenger (and an adult).

In Infinity War, Peter travels to Titan with Tony and Stephen. As in the comics, he (and the others) almost succeed in removing the Infinity Gauntlet from Thanos. His disintegration is heartbreaking for both Tony and the audience.


Black Panther: T’Challa/Black Panther’s first movie came out only months before Infinity War, but actually only takes place a few weeks after Civil War. In Black Panther (2018), T’Challa becomes king of Wakanda and battles his long-lost cousin, N’Jadaka/Erik “Killmonger” Stevens for the title. His actions during the film unite all of Wakanda’s tribes and opens up Wakanda and her technology to the outside world.

T’Challa and the Wakandan people play a large role in protecting the Earth from Thanos. While T’Challa’s endlessly brilliant sister, Shuri, works to remove the Mind Stone from Vision so it can be destroyed, the rest of Wakanda battles Thanos’s forces. As the most technologically advanced country on the planet, they are the best equipped for such a task, however, many lose their lives during Thanos’s snap, including T’Challa himself. 

Okoye, the leader of the Dora Milaje, Wakanda’s elite female warriors is featured in one of the Endgame posters, which establish who did and didn’t survive the snap. While she hasn’t been an obvious part of the trailers, it’s fair to assume that she will play a big part. There is also talk that she may play a role in the potential/rumored A-Force movie, which will have an all-female Avengers team. 


Nick Fury: Although he was the director of SHIELD for years, in 1995, Nick Fury was still someone else’s subordinate and new to the amount of weird in the world. It’s also when he meets Carol Danvers/Captain Marvel. It’s after meeting her that he gets the idea for the Avengers Initiative and he is the one to initially bring them together. In the present, Fury hasn’t been seen since he came to the rescue in Ultron, providing lifeboats for the Sokovians. At the end of Infinity War, however, he manages to use his modified pager (a gift from Carol at the end of Captain Marvel (2019)), to send a message before disintegrating. We don’t know what Carol has been up to since we saw her leave Earth, but it’s clear that she will play a role in Endgame, thanks to Fury’s quick thinking.

Captain Marvel

Captain Marvel is the MCU’s highly anticipated first female solo film. Lately, female-led and minority-led films have become more desirable in light of the successes of Wonder Woman (2017) and Black Panther (2018). And, with a huge number of women on staff, the film avoids a lot of trappings that female-led films tend to fall into.

That being said, Disney obviously wasn’t too concerned with that. All of the previews before the movie either had a female or minority lead/storyline, save for Shazam! which opens April 5th. This is a terrible choice as it establishes that the movie is meant for women/minorities rather than “mainstream”. These previews were not what you’ll see before Avengers: Endgame, which opens April 26.

Already there have been concerns with Captain Marvel opening so close to Avengers: Endgame. Last year, Black Panther premiered in February, but Captain Marvel is almost a full month later (Infinity War opened April 27). She’s being hyped as bringing a new level of strength and power to the MCU, but there are concerns she will be overwhelmed by Endgame, even if she is set to play a large part in it. (Not that we’ve seen her in any of the trailers.)

That she brings a new level of strength is not an exaggeration. The movie is different from previous MCU and other superhero origin films, which although refreshing, felt a little slow to me and left me chomping at the bit for baby Fury (who does lose his eye in this movie). Directors/Writers Anna Boden and Ryan Fleck (with additional writers Geneva Robertson-Dworet, Nicole Perlman, and Meg LeFauve) do some creative storytelling both in writing and visually. The use of CGI is appropriate and well done, especially the de-aging of Clark Gregg and Samuel L. Jackson (with the 1995 setting, I definitely felt some Pulp Fiction (1994) moments).

This movie had me very excited going in and I’m still very excited. Captain Marvel depicts a strong woman as something to be expected, not an exception, and continuously shows her to be more than a match for her male counterparts. Brie Larson’s Carol Danvers has some definite Buffy (1997-2003) moments, approaching almost every fight with a smirk and a witty comment, though she does not have a male romantic lead to distract her. The humor is what you’d expect for MCU, but no less funny, with a soundtrack to rival Guardians of the Galaxy (2014). It’s primarily female artists chosen with a very clear nod to the early 90s.

Without giving too much away, Captain Marvel had some surprising twists and authentically sincere moments. What’s really fun is seeing how/why things are the way they are in the MCU. There are some creative changes to the character’s original backstory, but it works, although there are also some moments and inconsistencies that make you wonder if the original script/cut was different than what’s presented. In addition to seeing 90s Shield (though no appearance from founder Peggy Carter) and getting a closer look at the Kree Empire, Captain Marvel also introduces the alien race, the Skrulls, who are shapeshifters, and slips in a young Monica Rambeau, who also takes up the Captain Marvel mantle in the comics.

Basically, this is a movie you need to see! For many reasons! First, because it was something fun and refreshing. Second, because of the female lead. Third, because of the number of women attached creatively to the project. While DCEU hasn’t been afraid to bring in female directors (and capitalize on female leads), Marvel/Disney still seems wary. While I doubt Captain Marvel will be nominated for Best Picture like Black Panther was (although I could see it in some of the other categories), I think it has the potential to be just as powerful for the industry.

The last thing I want to mention is how important it is to stay for the mid and end credit scenes. Both are relevant to the Infinity War/Endgame plot line and definite must-sees. Also, be prepared for a heartwarming tribute to Stan Lee, who filmed his cameo before his death in November.

This review is written the morning after I saw a “midnight” showing (7 pm on Thursday, thank you– some of us have to be up at 6 am), so I’ve only watched it once, but am eager to see it again. I typically try to watch a creative property multiple times before writing a review, so this is perhaps not as in depth as I might go on specific aspects. Regardless, Captain Marvel does bring something new and different to a well-established universe, both in terms of content and in terms of film as an art.

Looking Back On 2018…

In just a few short hours we will be in 2019! It’s kinda hard to believe. This year feels like it’s lasted at least a decade, so let’s take a second to look back…

Here’s a short list: Avengers: Infinity War, Black Panther, Doctor Who Series 11, She-Ra and the Princesses of Power, Miraculous Tales of Ladybug and Chat Noir season 2, The Chilling Adventures of Sabrina, Deadpool 2, Disney bought Fox, Guardians of the Galaxy 3 lost its director, Red Sox won the World Series, Game of Thrones dropped the trailer for its last season, we got a sequel to Mary Poppins over 50 years later, Spider-Man: Into the Spider-Verse, Incredibles 2, American Horror Story crossover, Life-Size 2 almost 20 years later… the list goes on.

Once again it was a big year for revivals and nostalgia. In addition to She-Ra, Sabrina, Mary Poppins, and Life-Size, we saw the revival of Roseanne/The Conners, Murphy Brown, Magnum P.I., American Idol, Tomb Raider, Oceans 8, Charmed, Titans, and Halloween. Now, I may have been a little lax with my viewing. When I was in college, I once had a couple months where I was seeing a new movie each week. Right now, my life is not in a place where I can do that, so that will not be my New Years Resolution. No, instead, I will attempt to put out a blog entry each week and on time! (And I can promise that I will be seeing Captain Marvel and Avengers: Endgame the weekends they open!)

We’re also currently riding on the wave that is the aftermath of #metoo and its effecting the industry. People are speaking out and its becoming a wise marketing choice to use female and minority filmmakers. Wonder Woman did amazing things for female directors in 2017 and this year Black Panther opened the door for minority filmmakers and superheroes.

TV also got very political this year, with liberal Hollywood speaking out against President Trump and his policies (a trend I expect to continue). This was true even for shows like Doctor Who, which is a British program. His racist and sexist remarks have inspired plot points, such as Who‘s “Rosa” and the political and racial backgrounds of characters on primetime TV shows such as Charmed and Rosanne/The Conners.

So, what does this mean for the entertainment industry? Well, Disney is slowly but surely monopolizing the film industry and cornering the market on mega franchises. It’s no longer just Princesses, there’s Star Wars and the MCU– now with the addition of Fox’s character library (and making us all nervous about Deadpool 3). Meanwhile, Netflix went and canceled a bunch of programs, including all of its Marvel programs (save for Jessica Jones and Punisher), but also released 3 seasons/20 episodes of Nailed It!. NBC is making a comedy comeback with lineups that include The Good Place, Brooklyn Nine-Nine, and Will & Grace, while ABC stands by The Conners and snatches up American Idol, with no end in sight for Grey’s Anatomy. America’s Next Top Model is on VH1 now and Black Mirror just released a “Choose Your Own Adventure” episode…

2018 has been a year for reinvention and creativity. It’s been about branching out as production companies try to nail down what audiences are after. While many of us are reading news headlines with dismay, the entertainment industry is actually starting to step up with female and minority representation. Shows like Steven Universe, She-Ra and the Princesses of Power, and Doctor Who (as played by Jodie Whittaker) are upping the ante on gender and sexuality representation. It’s an exciting time for TV and Film, with even more to come in 2019!



…Okay, so this is another late post, and once again a bit ramble-y, but as I stated above, New Year’s Resolution! For those of you who have taken the time to read my idle thoughts, thank you! This has been a labor of both passion and discipline and I’m really excited I’ve kept it going this long– and plan on more to come!

I’m expecting 2019 to be a big and happy year and wish you and those closest to you the same! Happy New Year!